LaMoine MacGlaughlin, retired director of Amery’s Northern Lakes Center For The Arts, poet, author, musician, and long-time contributor to the arts in northern Wisconsin, died. His memorial observation was held on February 15th at an Amery area brewery. I had been asked to speak. Unfortunately, the event turned out to be more of a class reunion for LaMoine’s seminary buddies and for students of Mary Ellen MacGlaughlin. One old guy, present via Zoom, yammered on about some piece of music that the Bishop back then just loved. Somehow, he thought that related to LaMoine. A former Mary Ellen student told about how they dissected a shark. The few that talked about their recent experiences with LaMoine simply talked about themselves. Only one person, an elderly man (and possibly a retired priest who was present during LaMoine’s last moments) dealt with his feelings when he read LaMoine’s wonderful poem Wind Riders. After more than an hour of listening to self-indulgence, we left. But here’s what I would have said:
First, I’m here as a friend. Second, let me commend the people that wrote LaMoine’s obituary. It’s very well done and captures him well. I’m married to a mental health therapist who has lectured at the University of Wisconsin-Eau Claire on the impact of childhood trauma on people as adults. And LaMoine suffered childhood trauma. There was a fire at home. Everyone made it out of the house, save for two younger sisters still trapped inside. Their father went inside to bring them out alive. All three perished. For LaMoine, his father was a hero and he referred to it at times and wrote about it.
LaMoine’s schooling was intended to prepare him for seminary, which he did attend, although he got his degree from the University of Wisconsin-Eau Claire. Somehow, he discerned that the clergy was not his calling. And somewhere in those early years he was part of a music group–Louie says it was a folk music group–and LaMoine thought the group needed a keyboard player. One of the guys said, “There’s a girl across the street. She plays the piano and the organ. Why don’t you ask her?” According to LaMoine, he said, “Aaah, you ask her.” The guy did. Mary Ellen said yes. She called him “Moine”. They had three daughters: Mary, Karen and Louie, an experience after which not even a terrorist threat could make LaMoine MacGlaughlin tremble.
Both Moine and Mary Ellen were teaching, Moine teaching English. How much he’d gotten into Shakespeare is unclear to me, but as a teacher, he was able to really dig into Shakespeare as poet and playwright. One of his books, Secrets From The Wings, deals with various characters in Shakespeare’s plays. Moine brings out each character, its personality, its inner thoughts, its motivations beyond the obvious and he does it in poetry. It’s a remarkable achievement. As a teacher, Moine also had the opportunity to produce plays and that paid off at the Northern Lakes Center For The Arts, where the theater is either a horseshoe or theater in the round, depending on whether or not the audience is seated in the balcony. For either instance, the actor must learn to act using his back, as well as his front and face. LaMoine solved that in Amery by having his actors move in imperceptible circles, to that no one might be deprived of seeing the total performance.
In addition to poetry, for which he was probably best known, LaMoine also could write a fine English sentence. A short story of his won first place in a state-wide competition by the Wisconsin Academy of Letters, Arts and Sciences. LaMoine was proud to share that a journalist who’d listened to him read the story at the Awards ceremony thought it was a true story. The story dealt with a depression-era farm family that hired a homeless man to help around the farm. The man turned out to be harming the family draft horse. He’s discovered by the family’s son whose father saves him just as the hired man is about to either kill or injure the boy. Now, sometimes writers can look at their work long after they’ve produced it and find things in there that they had not realized were there. Here, we have a father who’s a hero. This hero is successful in saving his child. LaMoine’s real father was a hero, but unsuccessful. Was this intentional on LaMoine’s part? I wish I’d asked. I have been proud to have had LaMoine’s endorsement in each of my short story collections.
His poetry was mostly conventional in style, meaning that it followed traditional styles that had discipline. He abhorred today’s “free verse” as poorly written prose. For him, “The Emperor Had No Clothes!” He said he would revise a poem 100 times. That fits a music teacher, who was bound to tell most students, “Practice! Practice! Practice!” He was Amery’s First Poet Laureate. Two poems, especially, brought me to tears regularly. One, A Scent Of Lilacs, told a tale of immense family cruelty (it was based on a true story). Twice, LaMoine and I read our writings as fundraisers for St.Croix Festival Theater and I had to follow his reading of that story after wiping away my tears and finding my voice. (Not fair!) Another, The Christmas Swallow, was one he read at the annual Christmas gathering at the Center. I tried to get even with him once and asked, “You’ve written A Christmas Swallow; when are you going to write An Easter Gulp? Fortunately, he thought that was funny.
Teaching apparently didn’t produce the income needed by a growing family, so after a brief stint in Green Bay, the MacLaughlins found themselves in this area, where LaMoine went to work with Impact Seven, a non-profit involved in low income housing development and other community building work. Impact Seven has just announced a planned mixed income housing development in Osceola along Highway M. It was there, I think, that LaMoine learned the skills he would use to ensure that the Northern Lakes Center For The Arts remained in the black for more than 40 years. However, constantly dealing with permitting, zoning regulations, grant requirements, and other bureaucratic details eventually ground him down, so when he saw Mary Ellen setting her own schedule and enjoying teaching music, he thought he’d like that better. With all three daughters launched, it was time for the two of them to found the Northern Lakes Center for the Arts. They bought an old church building and made things work.
As far as we know, Amery’s Center had the only Chamber Orchestra in the USA in a town with fewer than 3,000 people. The fact that it operated in the black was notable enough so that I wrote about it for the St.Paul Pioneer Press. It was unusual. Just last week, the Minnesota Orchestra, a professional organization of long standing if there ever was one, announced a deficit in the millions of dollars, despite playing to full houses. The Center boasted music classes, recitals, drama performances with local actors, guest performers (Gordon Bok, an internationally known folk artist, said the Center was his favorite venue in the nation in which to perform), voice lessons (a retired opera singer with a fine European reputation came home and gave voice lessons in the Center’s downstairs), and writers, whose writings they not only read but were published in the Center’s magazine, Soundings. The MacLaughlins even used the Center’s walls to feature local arts, including painting, photography, weaving and quilting, and even a hubcap collection. Lou Jappe cobbled together a pipe organ from various places, including Oberlin College.
LaMojine conducted the chamber orchestra. He was not Toscanini; I’m not aware he ever threw his baton at anyone. And he did not throw himself around; he was not Leonard Bernstein. But he could be impatient (No! No! You enter here!) and it was the same with drama rehearsals. He used orchestrations done for him by a friend and since he couldn’t ask another favor of the same kind, we heard the same pieces repeated often. (Orchestrating apparently was beyond LaMoine’s abilities or he figured he just didn’t have the time to do a large task like that.) However, repeats also meant that the annual Christmas concert had a warm, friendly, feeling of family. Tammy Turcotte would recite The Night Before Christmas. Don Hansen would rock back and forth on his feet while waiting for his aunt to answer the door in A Cup Of Christmas Tea. LaMoine would recite A Christmas Swallow and I would read the Christmas story from Luke’s Gospel. One could almost swear your Christmas stocking hung from the balcony rail.
LaMoine was a consultant to other arts organizations–probably for free–because of the Center’s financial success.
Then, there was the newspaper, a publication filled with things of local interest, local history, obituaries and LaMoine’s thoughts.
He could be quick with a tease. He called my German-born wife a Nazi. I won’t tell you what he called me.
Music instruction was very personal. I don’t think anyone ever felt like a number.
His heritage was Scottish. He celebrated Robert Burns. He and Mary Ellen traveled to Scotland at least twice.
For his age, he had remarkable singing voice, even as he was pushing eighty. He read his poetry for years on radio WPCA-FM. They called his show “The Poet’s Corner”.
He boasted about the quality of the Clear Lake Public School system and cited his successful daughters as good examples of what the schools produced.
It became apparent, though, that Mary Ellen was developing Alzheimer’s. That was evident at one of the last events I attended. Her job, one of many, was to handle the lights prior to performing. She would dim the house lights and bring up the lights for the performance space before she took her place in the cello section. But that night she just couldn’t get it figured out. LaMoine had to coach and correct her from the podium. How many times had she done that job before? It was obvious that there was a problem. I believe he saw what was coming: the two of them could not sustain what they had created. He would have to shut down the Center. (I have learned since that there were discussions about how to do that but from what I knew at the time I would have simply said that there was anger involved.) It was not the positive ending people might have hoped for. It reminded me of Sampson, who leaned on the pillars and the entire temple came down, taking Sampson with it.
We would have coffee or lunch with the two of them, during which LaMoine would announce that “Retirement is BORING!” I told him that the most boring part of it was his home cooking: very repetitious and certainly not the Mediterranean Diet. After Mary Ellen’s passing and a few weeks after her memorial event, we invited him to join us for lunch at Pure & Simple. I told him he could order anything on the menu; it would be a nice break from his home cooking. He ordered a grilled cheese sandwich. I figured he wanted to go easy on my wallet. We had a nice lunch, during which he shared some of what I’ve shared with you here. Afterwards, we headed to our cars and that’s when he said that Mary Ellen had fallen here in this parking lot. WHAT? All this time here and you’ve said nothing about that? This is where she staggered backwards and fell and you stood there, waiting for the ambulance that took forever, and she didn’t recover? And you didn’t even mention it? Ice had begun to fall, so we got into our cars and headed home. I realized then that the cheese sandwich wasn’t about my wallet; he didn’t have much of an appetite.
During our lunch, he’d slid a sheet of paper across the table. It was a poem he just finished. It consisted of groups of two lines each that rhymed. I didn’t think it was very good and disregarded it at the time, but before tossing it when I got home I noted two of the lines. One in the middle said, “Grown Old, So Cold”. The other was at the poem’s end: “My wife; my life”.
Perhaps 10 days after that lunch Louie called to say that LaMoine was at Regions Hospital after a major cardiac event but that he was expected to do well. Two day later I called to check on him and Louie said he was progressing but they had to tie down his arms because he kept trying to pull out the tubes and wires put into him. “That’s LaMoine,” she said. I gave it another two days, maybe three, and called to tease about how much better jello and broth was than his home cooking. He responded (they held the phone to his ear) but I found him difficult to understand because he still had a tube in. He wasn’t even enjoying jello and broth. And two days after that he went to join Mary Ellen.
People in the old days would say that he died from a broken heart. I believe that was true. I also think there is more here. “My wife; My life.” Over the years, I’ve asked psychiatrists and psychologists if it’s possible for us to determine the timing of our exit from this life. The universal answer has been yes. And I saw this play out when I spent 9 years as a nursing home chaplain. Someone would tell me they told God they were exhausted and done here; God could take them home. And they would die that night. Or I’d hear something similar on Tuesday and the person would die on Friday. I believe that as the anesthesia wore off, LaMoine saw what was ahead of him: when he got out of the hospital, he would not be able to go home, but would need rehabilitation and care. That meant a nursing home. And if he ever did get out of a nursing home, he’d go home to the place on the lake that both of them loved and that he wrote about so often. He’d open the door and the only sound would be the humming of the refrigerator or, if in winter, the furnace, too. And then only the sound of his footsteps in the empty house. Realizing that, it was “I don’t want that!” and desperate moves to pull out the tubes and wires that would keep him tethered to this life. “My wife; My Life”.
I have the sense that God, upon seeing LaMoine coming towards him with his short, quick-step walk and having somehow gotten past Peter at the gate, leaned over to Mary Ellen and said, “Please. Please, could you please handle this one?”
I first heard LaMoine read Wind Riders at Harvey Stowe’s funeral. He read it at Mary Ellen’s memorial event, although from just five feet away from him I could barely hear him. Here’s what he wrote:
“If you row from the dock at noon and I at half past three, I hope that when you beach your boat you’ll turn to wait for me.
And if I push off after one while you stay until four, I’ll wave and guide you through the mist and greet you on the shore.
We’ll laugh until tears fill our eyes as time and space rescind, then, holding one another close, we’ll ride upon the wind.”
And when that time comes for each of us, my prayer for us all is that the wind blowing will be warm and welcoming. May it be so!
And all the people said: “Amen!”